window sculpture

Huitzilopochtli, the Aztec god of sun and war, appears in colorful regalia in this ceramic sculpture by Angel Cerón. He is inspired by the images of the legendary deity featured in the Mexica Codex, for the original sculpture was said to have been destroyed by a Spanish soldier and was rescued by a Tlatolatl. The statue reappeared in 1530 during an investigation by Bishop Zumárraga, only to be lost again. It is speculated to be safely hidden in a cave somewhere in the Anahuac Valley. Huitzilopochtli was represented as a hummingbird as it was believed that great warriors are reborn as these birds. Huitzilopochtli is usually depicted with a feathered headdress, a black face, and a scepter shaped like a snake. Ceron sculpts the piece with yellow clay and uses natural dyes for color.

Experts in pre-Hispanic art, artisans from the Angel Cerón Artisan Association replicate this extraordinary statuette of Aztec-Mixtec origin. Dated 1325–1521 AD, a brave warrior holds a quetzal gently in his hand as the bird's long green tail cascades over his arm. Working with yellow clay from Oaxaca, the artisans sculpt this museum replica with magnificent details. Includes a stand.

By Angel Cerón, this ceramic sculpture interprets an image depicted in the Magliabechiano Codex from the late Post Classic period. It reveals elements of both the legendary Feathered Serpent Quetzalcoatl and also of the wind god Ehécatl. This wonderfully detailed Aztec deity wears a necklace of seashells and an elaborate headdress, and a bird alights on his hand.

Hand-carved of copal wood, this strong canine will bring the beauty of Mexican folk art to your home. Eugenia and Roberto Sosa create this sculpture, painting the dog by hand with varied and vibrant designs, such as spirals, geometric motifs, and checks in the traditional style of alebrijes.

Alebrijes are a fairly recent Mexican art form, attributed to Pedro Linares. Unconscious due to illness in 1936, he was presumed near death and yet his dreams were extremely vivid. He tells of a place where all was peaceful and quiet until all of a sudden there appeared a lion with an eagle's head, a rooster with bull's horns and a donkey with butterfly wings. They kept screeching "alebrije, alebrije!" and Pedro began running away. He encountered a man who told him it was not yet his time to be there are and he should continue running towards the exit. In this dream Pedro climbed out of a window and regained consciousness.

The most important deity in the Aztec pantheon, Tezcatlipoca or Quetzalcoatl is also one of the oldest, first appearing during the pre-Mexica Teotihuacan era. He is the god of fertility, of the wind, of life, of maize and of agriculture, and is said to have taught humans how to measure time and create the calendar. Working in ceramic, Angel Cerón interprets an image depicted in the Codex Borbonicus.

The most important deity in the Aztec pantheon, Tezcatlipoca is also one of the oldest, first appearing during the pre-Mexica Teotihuacan era. He is the god of fertility, of the wind, of life, of maize and of agriculture, and is said to have taught humans how to measure time and create the calendar. He is considered the antagonist of Quetzalcoatl, yet in later accounts, Quetzalcoatl is described as the black Tezcatlipoca.

Working in ceramic, Angel Cerón interprets an image depicted in the Codex Borbonicus.