cream throws

Seema creates a beautiful garden on a creamy white cushion cover. Covered with flamboyant floral appliqué, lavish machine embroidery adds a festive air. Richly beautiful, its reverse side is solid red.

Working to preserve the handloom traditions of their Mayan culture, Luz Gonzalez and the Women's Artisan Association of Zinacantan, Mexico create this beautiful cushion cover using the backstrap loom to meticulously integrate the multicolor geometric pattern into the design. Handwoven from 100% cotton, this cover opens from the back for a 16x16 inch cushion insert.

Create a unique and captivating atmosphere with this splendid cotton cushion cover designed by artisan Mavjuda Nabieva. Its traditional Tajik and bird motifs are exquisitely hand-embroidered in suzani style using the classic bosma technique. The colorful accessory features a hidden zippered closure on the top, allowing for the easy insertion of a cushion (not included).

Enrich your environment with the handmade elegance of this cotton cushion cover featuring suzani hand-embroidery created using the bosma technique. Artisan Mavjuda Nabieva’s remarkable design boasts Tajikistan's traditional motifs in grey, yellow, ivory and black hues, adding cultural significance and infusing your home with irresistible charm. This fabulous accessory features a hidden zippered closure for easy cushion insertion (not included).

A millenary icon of Thai beauty, the portrait of a woman from the northern region embellishes these cushion covers. Lanna women are renowned for their exceptional beauty and graceful elegance; they are traditionally portrayed under a parasol, becoming a national symbol under the phrase Mae Yin Kang Jong ("Woman opens her umbrella"). Alaya Cholprasertsuk's design depicts the lady surrounded by soft and warming hues using batik on cotton, with a button closure at the back. These cushion covers are ideal for a room of feminine inspiration.

Batik is a fabric art in which cloth is stretched on a wooden frame and a design is sketched in pencil. Then a mixture of melted wax and resin (70%/30%) is painted onto areas where color is not desired and the fabric is dipped in a solution of reactive dye, water, salt, and sodium bicarbonate. When the fabric is crumpled into the dying solution, the wax cracks, creating an attractive network of fine lines. The wax is removed and process is repeated for each color utilized. Finally, the cloth is washed and rinsed to remove any excess dye.

Shimmering shades of blue and cream cover this elegant scarf. Yuni Kristina recreates the parang raja. One of many traditional batik motifs, it symbolizes the ancient Javanese kingdom in general. She stamps the blue patterns in pure silk and adds the red blossoms with the batik motif.