Artisans the world over utilize the natural materials at their disposal to create beautiful, sustainable jewelry. Wood, bamboo and dried gourds. Coconut shells, rattan and terra-cotta. Even natural grasses lend themselves to a jeweler's creativity while art glass beads and pendants can be made from discarded bottles. Some artisans reclaim precious silver from photographic negatives. Colorful magazine pages can become tightly-rolled beads protected by a coat of varnish. Always creative, artists craft their bracelets out of innovative, eco-conscious materials.
Handmade women's bracelets each have their own unique characteristics. Color, texture, size and design all vary. Often, the technique alone will tell you, for example, hand-knotted, braided or woven bracelets. Leather bracelets with cutout motifs or embossing are usually crafted by hand.Thai jewelry by Karen silversmiths shows hand-stamped geometric or floral motifs and beads are usually made of fine silver, which is more malleable than sterling. Similarly, filigree jewelry is a meticulous handcrafted process. Most bracelets with natural, sustainable or recycled materials are handmade. Even some of the most sophisticated and modern gold and silver may be signed by the artist who made it.The most common indicator that a bracelet is handmade is the detailed and intricate design. Novica artisans demonstrate their techniques in the many videos on www.novica.com youll find the links on their product descriptions and also on the artisan bio page.
Traditional bracelet-making techniques have been passed down over generations around the world. Women's bracelets in gold and silver are usually crafted with the lost wax technique. The image is sculpted in wax and enveloped in a mold materia. As molten gold or silver is poured into the mold, the wax image melts and the metal takes its place. However coiling fine strands of metal results in Andean filigree jewelry. Balinese artistry applies polished spirals and tendrils as well as tiny globes known as jawan to sleek silver jewelry. And a few contemporary artisans even weave or crochet the slender silver strands.Jade was highly prized by the Maya and still has an important place in modern Guatemalan jewelry. Amber from the rich mines in southern Mexico adorns the women's bracelets, necklaces, and earrings of the area. Macrame and beading are popular everywhere for boho style. And West Africas handmade beadwork is renowned the world over.
women's bracelets carried immense cultural significance in ancient times and they still do. In Perus pre-Hispanic societies, gold represented the sun, and jewelry indicated social status and identity, as it also did among the Maya of Mexico and Central America. In India, bangles or kangans showed a woman was married and are a part of the 16 adornments customarily worn by a Hindu bride. Traditional West African beads are a sign of cultural identity. Each one has a meaning and tells a story.Today, women's bracelets are still culturally significant. In India, jewelry often depicts religious symbols and meditative mantras. Balinese bracelets may also depict dragons, thought to be the protectors of the gods, or the Hindu Barong deity, also a protection symbol. Motifs stamped into Karen hill tribe silver encourage living in harmony with nature. The hand-knotted bracelets of Guatemala symbolize friendship but evolved from a silent protest for loved ones missing during the country's armed conflict. Today, friends each tie a bracelet on the others arm and make a wish. The bracelet is worn until it wears out and falls off so the wish will come true.
Silver, gold, brass and copper have been popular for thousands of years and are often set with colorful gemstones. Artisans in different regions of the world take advantage of unique local resources, such as Brazilian golden grass, leather and coconut shell from Thailand, and carved bone jewelry from Bali. Intricate openwork carving, known as jali, can be seen in bangles from India. West Africa has a long tradition of beadwork, with beautiful beads made from recycled glass and even plastic becoming popular in recent years.
Hand-washing and dry cleaning are the most common ways to care for and clean shawls. Many of our alpaca shawls specifically indicate dry-cleaning or hand-washing with cold water. Because shawls are delicate, a garment bag is a good way to prevent damage. Avoid direct sunlight and high heat. As always, it is important to follow the care instructions specific to the fabric of your shawl.
The great thing about shawls is that they are versatile. One can find a shawl for every season. Warmth is often based on the tightness of the weave and the type of material used. Alpaca fiber is known for its thermal capacity and provides an optimal degree of warmth. Sheep wool also acts as an insulator, absorbing moisture and creating a feeling of coziness for the wearer. Shawls made of cashmere and pashmina are light and thin, yet still provide a high degree of warmth. In Mexico, shawls made from San Juan Chamula sheep keep one warm and comfortable.
Comfort is always a question of preference, but certain fabrics lend themselves to softness and warmth. Shawls from the Andes are made from super soft alpaca fibers, and provide wearers a high level of comfort. Similarly, in Thailand and Bali, silk shawls are always favorites. Depending on ones climate, particular shawls may be preferable. Central American shawls made from cotton and rayon keep wearers cool in warm climates, whereas bamboo and acrylic shawls are great for cold weather. During hot summers, Indian shawls made of modal, silk, and viscose are a perfect option, and merino wool and cashmere are ideal for winter. West Africa stands by the luxurious comfort of their 100% cotton shawls, and Mexico prioritizes comfort with their beautiful wool designs.
It depends on what you mean by handmade. We support artisans who work in the ancient traditions of their ancestors, crafting items by hand, with patience and love. But techniques vary among shawl makers. Embroidery, hand-painting, stitching, and sewing are often part of the process. Some artisans do use power looms when crafting their shawls, but even in those instances, there is no mega-factory or mass production line behind the garment. The beauty, creativity, and inspiration for each shawl comes from the artists own heart. Our product descriptions will always specify if an item is hand-woven, hand-knit, or otherwise.
The shawl comes to us full of history, culture, and heritage. Each region invests its shawls with different symbols, patterns, and designs. Some shawls, like those in West Africa and the Andes, feature linear and geometric shapes, clean lines and patterns that have been passed down through the centuries. In Bali, we find elaborate batik designs, a technique that makes use of alternating dye and wax to block color. In Central America, embroidered and woven shawls incorporate designs inspired by corn, butterflies, and birds. Floral patterns are very popular in Indian shawls, particularly in pashminas from Kashmir. Gujarati shawls often depict geometric shapes, and artisans increasingly incorporate contemporary designs through hand-painted fabric. Thailand also integrates floral patterning, often using the yok dok technique, a brocade style that leaves the fabric slightly raised. This emphasis on brocade is also evident in Mexican shawls, with lavish designs in the form of frets, flowers and geometric figures, all inspired by pre-Hispanic cultures.
Fibers, dyes, and fabrics come together in innovative, unique ways during the creation of a shawl. Different regions rely on resources that are readily available and have cultural significance. In West Africa, 100% cotton and rayon frequently make their appearances in shawls. In Bali and Thailand, soft silk lends a luxuriousness to the shawl. Central American artisans incorporate bamboo rayon, while India makes use of wool and silk. Mexico boasts an array of vibrant natural and cotton yarn dyes, and artisans from the Andes weave shawls out of soft alpaca fiber.
Throughout the world, the shawl is considered a venerated garment, made by hand from techniques passed down through generations. The methods for making traditional shawls vary as widely as the regions from which they come. But most employ some method of hand knitting or weaving on a loom. In the Andes, for example, crocheting and flat weaving on a treadle loom are common techniques. In Central America, backstrap and foot looms are popular with artisans. In Bali, one finds intricate sewing, in addition to weaving. And in India and Thailand, practices of hand-painting fabric, batik, and the use of natural dyes are intimately tied to the creation of shawls.
The Summer Catalog
Discover our unique collection of beautiful, handmade objects from around the world, inspired by more than a century of exploration.