work coat

Glossy mango wood hosts a forest of flowers in a work of art by Nantana Sompamitre This exquisite bowl is lacquered inside and out; the red blossoms are etched by hand. She lathes the mango wood into the desired shape and coats it with lacquer. When dry, it is polished, and another coat is applied – up to twenty times – before as many six coats of pure lacquer are applied. The final layer is polished with powdered fired clay.

A modern and elegant jar finely lacquered by Daeng Thanunchai. The concentric pattern, made of tones contrasting the black background, is an example of the artisan's modernization of lacquer works. A unique storage vessel for the den or office.

To complete this piece, raintree is firstly carved into the desired shape. A mixture of lacquer - obtained from the Gluta usitata tree - and ashes of burnt rice paddy husks is then applied to the object. Upon exposure to air the mixture dries to form a watertight seal that is polished before another coat is applied. This process is repeated up to twenty times, and a final polishing is executed with sandpaper. Then several coats of pure lacquer are painted on the object, with drying periods in between each coat.

The work is partially polished with sandpaper according to a predetermined pattern - generally concentric - and a few coats of different lacquer colors are applied to the surface and the object is left to dry for a few days. The process remains identical for each ensuing color, alternating lacquering and polishing sessions until the design is achieved. The final coat is washed with water and polished with powdered fired clay, offering an irresistible sheen.

Daeng Thanunchai celebrates this lacquer container with concentric beige and russet circles on a black background. The piece is one of the artisan's latest experiments in lacquer work, as he combines traditional design with contrasting colors, resulting in a thoroughly modern adornment for the home.

To complete this piece, raintree is firstly carved into the desired shape. A mixture of lacquer - obtained from the Gluta usitata tree - and ashes of burnt rice paddy husks is then applied to the object. Upon exposure to air the mixture dries to form a watertight seal that is polished before another coat is applied. This process is repeated up to twenty times, and a final polishing is executed with sandpaper. Then several coats of pure lacquer are painted on the object, with drying periods in between each coat.

The work is partially polished with sandpaper according to a predetermined pattern - generally concentric - and a few coats of different lacquer colors are applied to the surface and the object is left to dry for a few days. The process remains identical for each ensuing color, alternating lacquering and polishing sessions until the design is achieved. The final coat is washed with water and polished with powdered fired clay, offering an irresistible sheen.

This original vase is set on fire with bright hues of orange adorning its volcanic shape. Daeng Thanunchai handcrafts this piece from coiled bamboo, transforming the vase into a fascinating work of art with ancient lacquer techniques. A magnificent piece, this vase is the ideal housewarming gift. Not watertight.

To complete this piece, coiled bamboo basketry is firstly carved on a lathe into the desired shape. A mixture of lacquer - obtained from trees - and ashes of burnt rice paddy husks is then applied to the object. Upon exposure to air the mixture dries to form a watertight seal that is polished before another coat is applied. This process is repeated until a rigid base is formed, and a final polishing is executed with sandpaper. Then several coats of pure lacquer are painted on the object, with drying periods in between each coat.

The work is partially polished with sandpaper according to a predetermined pattern - generally concentric - and a few coats of different lacquer colors are applied to the surface and the object is left to dry for a few days. The process remains identical for each ensuing color, alternating lacquering and polishing sessions until the design is achieved. The final coat is washed with water and polished with powdered fired clay, offering an irresistible sheen.

Costa Rican artisan Marice Nuñez works with polymer-coated copper wires to create a fashionable accessory. With red crystal beads embellishing the whole design, this bracelet also features multiple strands for a bold style.

From Argentina and Francisco, this delightful box is crafted by young people from the Asociación ADISA. The box is crafted by hand by recycling local Guatemalan newspapers and finished with several coats of varnish protect the piece. The lid features a section of a cotton huipil blouse worn by women in San Lucas Tolimán that has been woven on a back strap loom.

Start your work day off right with Fida Hussain's charming and practical pen holder. The Indian artisan starts by using the traditional art of papier mache to hand craft the holder before buffing and hand painting the exterior with a bright owl motif. Finally, the artisan coats the decorative box with a glossy lacquer for a protective finish.

Almost celestial, its spherical tendency drenched in vermilion mystery, this decorative vase intrigues with the sensuality of lacquered designs. From the hands of Daeng Thanunchai, the piece offers a flawless Thai accent for any home décor.

To complete this piece, coiled bamboo basketry is firstly carved on a lathe into the desired shape. A mixture of lacquer - obtained from the Gluta usitata tree - and ashes of burnt rice paddy husks is then applied to the object. Upon exposure to air the mixture dries to form a watertight seal that is polished before another coat is applied. This process is repeated until a rigid base is formed, and a final polishing is executed with sandpaper. Then several coats of pure lacquer are painted on the object, with drying periods in between each coat.

The work is partially polished with sandpaper according to a predetermined pattern - generally concentric - and a few coats of different lacquer colors are applied to the surface. Then the object is left to dry for a few days. The process remains identical for each ensuing color, alternating lacquering and polishing sessions until the design is achieved. The final coat is washed with water and polished with powdered fired clay, offering an irresistible sheen.

Radiant with golden accents, a heart centers this delightful necklace. Edith Orozco works in papier mache, giving the pendant a rich red color and painting it by hand. It poses on black cords that are adjustable in length. A coat of lacquer protects it and adds shine.

Radiant with golden accents, a heart centers this lovely bracelet. Edith Orozco works in papier mache, giving the pendant a rich red color and painting it by hand. It poses on black cords that are adjustable in length. A coat of lacquer protects it and adds shine.

Hoping to preserve the artistic legacy handed down from his father, Fida Hussain creates this rotund decorative box. He works in weeping willow wood covered with papier mache, sanded and painted carefully in exquisite detail. The red and gold box features a chinar leaf motif with a glossy lacquer coating.

From Danai comes this delightful pair of button earrings where Thailand's natural beauty takes center stage. Crafted using cream-colored mini zinnias which have been dyed red and coated with resin, the novel earrings feature surgical steel posts and gold-flashed brass clasps.

Please note that because natural flowers are used, no two pairs of earrings will look exactly the same.