patterned bathrobes

Parallel patterns evoke terraced rice fields in this exquisite design. Thatsanee and Ramphan craft an exquisite bud vase in green celadon ceramic with its characteristic crackled glaze.

Elaborated with dotted patterns, this green decorative vase is handcrafted of recycled paper and cement. Thai artisan Somyot Sawasdee makes a case for ecological preservation, giving the vase a painted green finish.

Handcrafted in the shape of a volcano, this recycled paper and cement decorative vase features a design by Thai artisan Somyot Sawasdee. He works with a concern for ecological preservation, elaborating the vase with wavy patterns that climb up, painted with an oxidized green tone.

Centrifugal shadows adorn this pot, handcrafted with refined perfection by Daeng Thanunchai. Oval in shape, the pot is available in two colors, red or green, and exudes the intriguing beauty of lacquered bamboo. An original accent for a rustic décor. Not watertight.

To complete this piece, coiled bamboo basketry is firstly carved on a lathe into the desired shape. A mixture of lacquer - obtained from the Gluta usitata tree - and ashes of burnt rice paddy husks is then applied to the object. Upon exposure to air, the mixture dries to form a watertight seal that is polished before another coat is applied. This process is repeated until a rigid base is formed, and a final polishing is executed with sandpaper. Then several coats of pure lacquer are painted on the object, with drying periods in between each coat.

The work is partially polished with sandpaper according to a predetermined pattern - generally concentric - and a few coats of different lacquer colors are applied to the surface. Then the object is left to dry for a few days. The process remains identical for each ensuing color, alternating lacquering and polishing sessions until the design is achieved. The final coat is washed with water and polished with powdered fired clay, offering an irresistible sheen.

A work of hypnotic beauty, this handcrafted pot adorns with rustic elegance. Daeng Thanunchai confides that to create this piece, he based his design on the idea of setting one's mind free - as if flying through the skies. The pot's neutral color is adorned by centrifugal flashes, resulting in a most versatile decorative item. Not intended to hold water.

To complete this piece, coiled bamboo basketry is firstly carved on a lathe into the desired shape. A mixture of lacquer - obtained from the Gluta usitata tree - and ashes of burnt rice paddy husks is then applied to the object. Upon exposure to air the mixture dries to form a watertight seal that is polished before another coat is applied. This process is repeated until a rigid base is formed, and a final polishing is executed with sandpaper. Then several coats of pure lacquer are painted on the object, with drying periods in between each coat.

The work is partially polished with sandpaper according to a predetermined pattern - generally concentric - and a few coats of different lacquer colors are applied to the surface and the object is left to dry for a few days. The process remains identical for each ensuing color, alternating lacquering and polishing sessions until the design is achieved. The final coat is washed with water and polished with powdered fired clay, offering an irresistible sheen.

Handcrafted in a squat, artistic shape, this recycled paper and cement decorative vase features a design by Thai artisan Somyot Sawasdee. He works with a concern for ecological preservation, elaborating the vase with wavy ridges and patterns, given a painted green finish.

This original vase is set on fire with bright hues of orange adorning its volcanic shape. Daeng Thanunchai handcrafts this piece from coiled bamboo, transforming the vase into a fascinating work of art with ancient lacquer techniques. A magnificent piece, this vase is the ideal housewarming gift. Not watertight.

To complete this piece, coiled bamboo basketry is firstly carved on a lathe into the desired shape. A mixture of lacquer - obtained from trees - and ashes of burnt rice paddy husks is then applied to the object. Upon exposure to air the mixture dries to form a watertight seal that is polished before another coat is applied. This process is repeated until a rigid base is formed, and a final polishing is executed with sandpaper. Then several coats of pure lacquer are painted on the object, with drying periods in between each coat.

The work is partially polished with sandpaper according to a predetermined pattern - generally concentric - and a few coats of different lacquer colors are applied to the surface and the object is left to dry for a few days. The process remains identical for each ensuing color, alternating lacquering and polishing sessions until the design is achieved. The final coat is washed with water and polished with powdered fired clay, offering an irresistible sheen.