centerpiece plates

Coated with glossy lacquer, Daeng Thanunchai's decorative plate makes for a show-stopping centerpiece. Using a lathe, Thai artisans carve the plate from coiled bamboo, coating the surface in several layers of lacquer to create the concentric spiral motif.

Terrestrial elegance inspires this handcrafted bowl, as earthen tones combine in an intriguing and evolving surface pattern. Daeng Thanunchai creates the piece with traditional Thai lacquer techniques, using a deep vermilion tone to evoke a soothing ambiance in any setting. For decorative purposes only.

To complete this piece, coiled bamboo basketry is carved into the desired shape on a lathe. A mixture of lacquer - obtained from the Gluta usitata tree - and ashes of burnt rice paddy husks is then applied to the object. Upon exposure to air the mixture dries to form a watertight seal that is polished before another coat is applied. This process is repeated until a rigid base is formed, and a final polishing is executed with sandpaper. Then several coats of pure lacquer are painted on the object, with drying periods in between each coat.

The work is partially polished with sandpaper according to a predetermined pattern - generally concentric - and a few coats of different lacquer colors are applied to the surface, then the object is left to dry for a few days. The process remains identical for each ensuing color, alternating lacquering and polishing sessions until the design is achieved. The final coat is washed with water and polished with powdered fired clay, offering an irresistible sheen.

A mystical green tone is swallowed by the eddying design of this handcrafted bowl. Lacquered surfaces reveal the luxury of natural Thai colors, beautifully orchestrated by Daeng Thanunchai. Subtle in its elegance, the piece offers a singular accent to any space. For decorative purposes only; display stand not included.

To complete this piece, coiled bamboo basketry is carved into the desired shape on a lathe. A mixture of lacquer - obtained from the Gluta usitata tree - and ashes of burnt rice paddy husks is then applied to the object. Upon exposure to air the mixture dries to form a watertight seal that is polished before another coat is applied. This process is repeated until a rigid base is formed, and a final polishing is executed with sandpaper. Then several coats of pure lacquer are painted on the object, with drying periods in between each coat.

The work is partially polished with sandpaper according to a predetermined pattern - generally concentric - and a few coats of different lacquer colors are applied to the surface, then the object is left to dry for a few days. The process remains identical for each ensuing color, alternating lacquering and polishing sessions until the design is achieved. The final coat is washed with water and polished with powdered fired clay, offering an irresistible sheen.

Murky greenish-brown tones evolve upon this sophisticated decorative accent by Daeng Thanunchai. The lacquered surfaces highlight smooth contours, simply rendered in traditional Thai fashion. For decorative purposes only.

To complete this piece, coiled bamboo basketry is carved into the desired shape on a lathe. A mixture of lacquer - obtained from the Gluta usitata tree - and ashes of burnt rice paddy husks is then applied to the object. Upon exposure to air the mixture dries to form a watertight seal that is polished before another coat is applied. This process is repeated until a rigid base is formed, and a final polishing is executed with sandpaper. Then several coats of pure lacquer are painted on the object, with drying periods in between each coat.

The work is partially polished with sandpaper according to a predetermined pattern - generally concentric - and a few coats of different lacquer colors are applied to the surface, then the object is left to dry for a few days. The process remains identical for each ensuing color, alternating lacquering and polishing sessions until the design is achieved. The final coat is washed with water and polished with powdered fired clay, offering an irresistible sheen.

Expertly lacquered, this decorative bowl by Daeng Thanunchai features a lustrous combination of red swirls on a dark background. Its conical perfection further enhances the allure.

Forest green embraces this handcrafted footed bowl, as the subdued radiance of lacquered surfaces complement stately outlines. Elaborated by Daeng Thanunchai, the piece offers the charm of Thai sensibility to any space. For decorative purposes only.

To complete this piece, coiled bamboo basketry is carved into the desired shape on a lathe. A mixture of lacquer - obtained from the Gluta usitata tree - and ashes of burnt rice paddy husks is then applied to the object. Upon exposure to air the mixture dries to form a watertight seal that is polished before another coat is applied. This process is repeated until a rigid base is formed, and a final polishing is executed with sandpaper. Then several coats of pure lacquer are painted on the object, with drying periods in between each coat.

The work is partially polished with sandpaper according to a predetermined pattern - generally concentric - and a few coats of different lacquer colors are applied to the surface, then the object is left to dry for a few days. The process remains identical for each ensuing color, alternating lacquering and polishing sessions until the design is achieved. The final coat is washed with water and polished with powdered fired clay, offering an irresistible sheen.

Handcrafted from coiled bamboo, this footed bowl centerpiece is similar to those found in Buddhist temples brimming with wondrous flowers. Daeng Thanunchai finishes the gray and black centerpiece with several coatings of lacquer.