long scarf

Exhibiting elegance, this wrap scarf is decorated with subtle stripes of ash. Guatemalan artisan Candelaria Julajuj creates this scarf, which is handwoven from cotton on a traditional loom. A striped pattern in black and turquoise decorates this scarf, which is accented at the ends with hand-knotted fringe work.

Evoking fiery passion, this cotton scarf from Guatemala features subtle stripes of crimson and tangerine that are incorporated by hand on a traditional handloom. Guatemalan artisan Candelaria Julajuj creates this wonderful scarf, which is completed at the ends with hand-knotted fringes.

Evoking the beauty of the ocean, this scarf is decorated with subtle stripes of navy. Guatemalan artisan Candelaria Julajuj creates this scarf, which is handwoven from cotton on a traditional loom. A striped pattern in black, white and turquoise decorates this scarf, which is accented at the ends with hand-knotted fringe work.

In all the colors of a fiesta, cotton yarns are handwoven together on a traditional backstrap loom. They create the intricate stripes and X patterns of this shawl from Guatemala. Elena Ixtamer creates this artisanal shawl, which is sure to turn heads wherever it goes. Hand-knotted fringe work accents the ends of this marvelous accessory.

Golden yellow stool thrones alternate with black and white squares and stripes in this bold cotton kente scarf. Ghana's Gobah Tengey-Seddoh Family selects the Fiazikpui pattern for a scarf of three fabric strips.

The Fiazikpui motif is created primarily on the weft, or horizontal threads of the loom. The design, which means, "Seat of a King," originated in the 14th century to honor one of the head chiefs or kings of what is now Ghana.

Each strip requires considerable effort, and the looms are worked with both hands and feet. Strips are generally three to four inches wide and seven to ten feet long, and the length of time it takes to complete one strip varies by the complexity of the chosen pattern.

Golden yellow stool thrones alternate with black and white squares and stripes in this bold cotton kente scarf. Ghana's Gobah Tengey-Seddoh Family selects the Fiazikpui pattern for a scarf of two fabric strips.

The "Fiazikpui" motif is created primarily on the weft, or horizontal threads of the loom. The design, which means, "Seat of a King," originated in the 14th century to honor one of the head chiefs or kings of what is now Ghana.

Each strip requires considerable effort, and the looms are worked with both hands and feet. Strips are generally three to four inches wide and seven to ten feet long, and the length of time it takes to complete one strip varies by the complexity of the chosen pattern.

Golden yellow stool thrones alternate with black and white squares and stripes in this bold cotton kente scarf. Ghana's Gobah Tengey-Seddoh Family selects the Fiazikpui pattern for a scarf of one single fabric strip.

The "Fiazikpui" motif is created primarily on the weft, or horizontal threads of the loom. The design, which means, "Seat of a King," originated in the 14th century to honor one of the head chiefs or kings of what is now Ghana.

Each strip requires considerable effort, and the looms are worked with both hands and feet. Strips are generally three to four inches wide and seven to ten feet long, and the length of time it takes to complete one strip varies by the complexity of the chosen pattern.

Golden highlights add a regal touch to this superlative textile by the Gobah-Tengey family. Created in rich kente cloth strips, its name means "Conference in Angola." Takpekpe was designed in 1950 by the late Atsu Gobah Tengey-Seddoh to commemorate a special meeting called by the colonial governor to discuss an additional tax or levy being imposed on the subjects. The conference raised voices against the payment of the special levy.

Expert weavers, the Gobah Tengey-Seddoh Family creates this outstanding shawl in 100% cotton. Each strip requires considerable effort, and the looms are worked with both hands and feet. Strips are generally three to four inches wide and seven to ten feet long, and the length of time it takes to complete one strip varies by the complexity of the chosen pattern. The simplest use mostly vertical, or warp patterns, and an experienced weaver can make several of those in one day. But patterns with nearly all weft (horizontal thread) patterns where the warp design is hardly visible can take up to four days to complete an individual strip. Each color has its own meanings in Asante culture. Green is fertility and new harvest, gold is royalty, black is strength, aging, and spirituality, while white is purity. The patterns themselves are carefully chosen symbols, which a master weaver develops and names, often to honor people, historical events, or proverbs.

Hand wash in cool water and use a warm iron.

The intricate texture in this handsome kente cloth shawl is inspired by beach pebbles. Designed by a fisherman around 1898, its name means "pebbles of the shore are hard to crack." The tiny blocks of pattern represent the thoughts of that ancestral craftsman. Handcrafted by the Gobah Tengey-Seddoh Family, this extraordinary double weave textile is one of the most difficult patterns to achieve. These expert weavers use traditional looms and a cotton blend.

Each strip requires considerable effort, and the looms are worked with both hands and feet. Strips are generally three to four inches wide and seven to ten feet long, and the length of time it takes to complete one strip varies by the complexity of the chosen pattern. The simplest use mostly vertical, or warp patterns, and an experienced weaver can make several of those in one day. But patterns with nearly all weft (horizontal thread) patterns, where the warp design is hardly visible, can take up to four days to complete an individual strip. Each color has its own meanings in Asante culture. Green is fertility and new harvest, gold is royalty, black is strength, aging, and spirituality, while white is purity. The patterns themselves are carefully chosen symbols, which a master weaver develops and names, often to honor people, historical events, or proverbs.

The intricate texture in this handsome kente cloth shawl is inspired by beach pebbles. Designed by a fisherman around 1898, its name means "pebbles of the shore are hard to crack." The tiny blocks of pattern represent the thoughts of that ancestral craftsman. Handcrafted by the Gobah Tengey-Seddoh Family, this extraordinary double weave textile is one of the most difficult patterns to achieve. These expert weavers use traditional looms and a cotton blend.

Each strip requires considerable effort, and the looms are worked with both hands and feet. Strips are generally three to four inches wide and seven to ten feet long, and the length of time it takes to complete one strip varies by the complexity of the chosen pattern. The simplest use mostly vertical, or warp patterns, and an experienced weaver can make several of those in one day. But patterns with nearly all weft (horizontal thread) patterns, where the warp design is hardly visible, can take up to four days to complete an individual strip. Each color has its own meanings in Asante culture. Green is fertility and new harvest, gold is royalty, black is strength, aging, and spirituality, while white is purity. The patterns themselves are carefully chosen symbols, which a master weaver develops and names, often to honor people, historical events, or proverbs.

Cotton yarns add rich texture to this brilliant kente cloth shawl by the Gobah Tengey-Seddoh Family. Strips of black, white and blue make a dramatic and handsome color combination. Designed and woven of coarse local cotton in the 12th century, the lokpo pattern means "heavy or thick in texture."

Each strip requires considerable effort, and the looms are worked with both hands and feet. Strips are generally three to four inches wide and seven to ten feet long, and the length of time it takes to complete one strip varies by the complexity of the chosen pattern. The simplest use mostly vertical, or warp patterns, and an experienced weaver can make several of those in one day. However patterns with nearly all weft (horizontal thread) patterns where the warp design is hardly visible can take up to four days to complete an individual strip. Each color has its own meanings in Asante culture. Green is fertility and new harvest, gold is royalty, black is strength, aging and spirituality, while white is purity. The patterns themselves are carefully chosen symbols, which a master weaver develops and names, often to honor people, historical events, or proverbs.