handcrafted

This marvelous decorative plate is the creation of Daeng Thanunchai in Thailand. The plate is crafted through an elaborate process of forming the coiled bamboo on a lathe, and then applying several layers of a lacquer mixed with the ashes of burnt rice-paddy husks. Subsequent layers of colored lacquers and clear lacquer are applied, and the plate is sanded between each application. A final polishing with powdered fired clay gives the plate a gloriously glossy finish.

Glossy mango wood hosts a forest of flowers in a work of art by Nantana Sompamitre This exquisite bowl is lacquered inside and out; the red blossoms are etched by hand. She lathes the mango wood into the desired shape and coats it with lacquer. When dry, it is polished, and another coat is applied – up to twenty times – before as many six coats of pure lacquer are applied. The final layer is polished with powdered fired clay.

Centrifugal shadows adorn this pot, handcrafted with refined perfection by Daeng Thanunchai. The pot is available in two colors - red or green - and exudes the intriguing beauty of lacquered bamboo.

Lacquerware is not dishwasher safe. If cleaning is needed, simply clean with a damp cloth and never use any type of abrasive cleaner.

Faintly darkened rings orbit this vase's exotic appeal, while a green nebulous stain evokes a sense of antiquity. Daeng Thanunchai handcrafts this piece from coiled bamboo, and transforms it into a mesmerizing work of art with ancient lacquer techniques. This vase is for decorative use only, and makes a rich accent piece. Available in two sizes.

This original vase is set on fire with bright hues of orange adorning its volcanic shape. Daeng Thanunchai handcrafts this piece from coiled bamboo, transforming the vase into a fascinating work of art with ancient lacquer techniques. A magnificent piece, this vase is the ideal housewarming gift. Not watertight.

To complete this piece, coiled bamboo basketry is firstly carved on a lathe into the desired shape. A mixture of lacquer - obtained from trees - and ashes of burnt rice paddy husks is then applied to the object. Upon exposure to air the mixture dries to form a watertight seal that is polished before another coat is applied. This process is repeated until a rigid base is formed, and a final polishing is executed with sandpaper. Then several coats of pure lacquer are painted on the object, with drying periods in between each coat.

The work is partially polished with sandpaper according to a predetermined pattern - generally concentric - and a few coats of different lacquer colors are applied to the surface and the object is left to dry for a few days. The process remains identical for each ensuing color, alternating lacquering and polishing sessions until the design is achieved. The final coat is washed with water and polished with powdered fired clay, offering an irresistible sheen.