handmade

Evoking desire, this Ghanaian shawl features checked motifs and stripes in tones of cerise, viridian, and pastel yellow. Rachel Armah creates this shawl, which is handwoven of a rayon and cotton blend in the traditional style of African kente cloth. The artisan combines three strips of the fabric.

Evoking desire, this Ghanaian shawl features checked motifs and stripes in tones of cerise, viridian, and pastel yellow. Rachel Armah creates this shawl, which is handwoven of a rayon and cotton blend in the traditional style of African kente cloth. The artisan combines four strips of the fabric.

Combining shades of pale gray and black, Gobah Tengey-Seddoh creates an outstanding example of kente cloth art. Gray derives its symbolism from ash, used for healing and cleansing rituals. Black represents physical aging and the spiritual maturity it brings. Each strip requires considerable effort, and the looms are worked with both hands and feet. The patterns themselves are carefully chosen symbols, which a master weaver develops and names, often to honor people, historical events or proverbs.

Bathed in moonlight, a traditional Ghanaian country home nestles at the foot of a baobab tree. K. Baka conveys sensations of beauty and safety in this beautiful signature shawl. He works in batik on cotton and adds fringe at each end.

Thick yarns add rich texture to this fascinating kente cloth shawl by Gobah Tengey-Seddoh. Strips of black, white and Delft blue make a dramatic and handsome color combination. Designed and woven of coarse local cotton in the 12th century, the lokpo pattern means "heavy or thick in texture."

Each strip requires considerable effort, and the looms are worked with both hands and feet. Strips are generally three to four inches wide and seven to ten feet long, and the length of time it takes to complete one strip varies by the complexity of the chosen pattern. The simplest use mostly vertical, or warp patterns, and an experienced weaver can make several of those in one day. However patterns with nearly all weft (horizontal thread) patterns where the warp design is hardly visible can take up to four days to complete an individual strip. Each color has its own meanings in Asante culture. Green is fertility and new harvest, gold is royalty, black is strength, aging and spirituality, while white is purity. The patterns themselves are carefully chosen symbols, which a master weaver develops and names, often to honor people, historical events, or proverbs.

Woven by hand, traditional West African kente cloth becomes a colorful scarf. Rachel Armah presents a traditional design known as Edwene Si Edwene So. The phrase means "double wisdom as special as gold" in the Akan language. Each strip of kente cloth requires considerable effort, and the looms are worked with both hands and feet. Each color has its own meanings in Asante culture. Green is fertility and new harvest, gold is royalty, black is strength, aging and spirituality, and white is purity.

Cotton yarns add rich texture to this brilliant kente cloth shawl by the Gobah Tengey-Seddoh Family. Strips of black, white and blue make a dramatic and handsome color combination. Designed and woven of coarse local cotton in the 12th century, the lokpo pattern means "heavy or thick in texture."

Each strip requires considerable effort, and the looms are worked with both hands and feet. Strips are generally three to four inches wide and seven to ten feet long, and the length of time it takes to complete one strip varies by the complexity of the chosen pattern. The simplest use mostly vertical, or warp patterns, and an experienced weaver can make several of those in one day. However patterns with nearly all weft (horizontal thread) patterns where the warp design is hardly visible can take up to four days to complete an individual strip. Each color has its own meanings in Asante culture. Green is fertility and new harvest, gold is royalty, black is strength, aging and spirituality, while white is purity. The patterns themselves are carefully chosen symbols, which a master weaver develops and names, often to honor people, historical events, or proverbs.

Hair scrunchies are practical, but also beautiful fashion accessories to complement your outfits. Colorful Ghanaian patterns enhance this pair of cotton scrunchies designed and handmade by artisan Christiana Asare as a comfortable and fashionable way to keep your hair always in place.

Nothing better to keep your hair in place than scrunchies, the accessories that were popular in the 90s and are still beloved to this day. Artisan Christiana Asare designs and crafts by hand this pair of multicolored hair scrunchies from 100% cotton with classic Ghanaian motifs.

Your home will have a complete makeover thanks to this pair of cushion covers in vibrant turquoise and brown handmade by Ghanaian artisan Christiana Asare. The covers, crafted from 100% cotton and silk, feature stainless steel zippers, a beautiful star pattern and bow accents on the front that give them style and class.

Perfect for a sophisticated table decor, Hannah Dodoo's cotton basket napkin displays Ghana's traditional elegance in the details that decorate its flexible structure. Accented with warm hues and floral motifs, the accessory comes equipped with velcro on each corner, allowing for handy use.

Nuse, meaning “strength” in the Ewe language, describes the spirit of Mary Dzidzienyo, the talented Ghanaian artisan and author of this stunning design. Ideal for the modern souls, this cotton hobo bag features a batik design in a palette of cyan, boysenberry and white hues, creating a splatter pattern for a vivacious look. On top of that, and as an eco-friendly accent, the accessory comes with recycled plastic beaded handles that add uniqueness to the piece, equipped with a linen lining.