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    Product ID: 168140

     

    13" H x 5" W x 2.8" D

    view in metric units

     

    Weight:  3.5 lbs

     

    Bronze on recycled peroba do campo wood base

    Signed by the artist

     

    Ships from NOVICA Office in Brazil.

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    About Sculpture

    Made in Brazil

    Bronze sculpture 'Angel of Light' by Urubatan can be found in sculpture categories such as Protection Sculpture, Angel Sculpture and Bronze Sculpture. Enjoy exploring these sections for other Novica treasures.

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    Bronze sculpture, 'Angel of Light'

    Standing tall with wings towards the heavens, an angel receives divine light. "I wish for my work to bring light to the world of art and its admirers," says Urubatan fervently. He sculpts the bronze angel with exquisite detail, letting it stand on a recycled peroba do campo wood base.

    Titled "Anjo da luz" in Portuguese.

    An artisan story card will be included with your purchase.

    Today's Price: $409.99
    Retail Value: $809.95
     

    Only 1 left at this time.
    Why are quantities limited?

     

    Urubatan

    Urubatan

    "In my work it is common to find a representation of all those who reign in nature. I mix the rational, with the animal, with the vegetal."
    "Art is feeling. It is very difficult for one person to completely understand the feeling of another. That which drives the experience of liking or not liking a work of art is exactly that movement of emotions....

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    Urubatan

    "Art is feeling. It is very difficult for one person to completely understand the feeling of another. That which drives the experience of liking or not liking a work of art is exactly that movement of emotions. Nobody is capable of comprehending a work, nor its artist. Art is meant to be felt, and therein lies its capacity to save lives. After finishing a sculpture I often ask myself where the forms came from, and I think it is a craft of innate spiritual creativity; it is funny to realize what the spirit can do with our own hands.

    "I was born in a state of the eastern Amazon, but I moved when I was still a boy, when my father came to seek medical treatment for his vesicular pain. He was disillusioned by all the doctors he consulted. Arriving here they discovered that it wasn't terminal cancer, as others had believed, but rather an illness that could be cured with simple surgery. This episode finished with us moving to the region.

    "I discovered a great ability for design, and later was encouraged by my teachers to try out sculpture, as my forms seemed to jump from the paper. It was the encouragement of friends and teachers that led me to exhibitions, and they gave me materials and tools so that I could develop my passion for sculpture. I began by utilizing materials found in nature and recycled pieces, like demolition wood. I've never liked to contribute to the destruction of the planet. Art must be beautiful in all of its senses.

    "The ecological question is always present in some form in my work. I think that we all must do our part. In my work it is common to find a representation of all those who reign in nature. I mix the rational, with the animal, with the vegetal. For nature, everything has the same value, and no species is more important than any other.

    "It is in our dreams that I seek inspiration, they reveal much about ourselves. Due to their oneiric compositions, my sculptures tend to be labeled as surrealist, although I am self-taught and don't belong to any artistic school. I don't think art is in the conscious mind. Art is not from the consciousness, but rather a conditional moment of the spirit.

    "I know how to make an infinite number of forms, but to sell and set prices is terrible. The florist sells roses because he was born for that; ask him how much it values, and certainly he won't know the response. The same thing happens with artists. We make art because we are born to do it. I think that Novica allows for artists to make what they need to make and to exhibit their product inside people's homes. To allow for this access is very important, and undoubtedly in is a revolution in the art market."

    PRIMARY EXHIBITIONS:

    1980 - Third Festival of Brazilian Folklore (Gold Medal Prize), Rio de Janeiro
    1985 - Second Collective Exhibition - Rio Othon Palace Hotel, Rio de Janeiro
    1988 - Second National Biennial of Mystical Arts - Governador Valadares, Minas Gerais
    1988 - Town hall of Mangaratiba, Rio de Janeiro
    1997 - Collective Exhibition - Galeria Círculo, Rio de Janeiro
    1999 - Cultural Week of Pontífica Universidade Católica, Rio de Janeiro
    2000 - Castelo de Porto de Mós - Portugal

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